Music & Printed Scores

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  Kremenliev, Boris (1911-1988) Pràvo Horò Self-published: Los Angeles, California, c 1955. Facsimile of full score. Small folio. 43 pp. Spiral bound with title on cover. Excellent.

  The Bulgarian-American composer has reconstructed his work from 1940, as he explains in a letter to the conductor-violinist Michel Piastro in 1955. Letter included.
  FAC-14453 $40Inquire
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  Kreutzer, Conradin (1780-1849) Grand Septuor pour Violon, Alto, Clarinette, Cor, Basson, Violoncelle, et Contrebasse dedié son ami J. Schuppanzigh...Op. 62 Pennaur: Vienna, [c 1800]. Pl.n: A.P. 196. Quarto. 14 + 11 + 9 + 7 + 7 + 9 + 8 pp. In very good, clean condition. Title page (violin part) stamped Bibliotheque Musicale R. D'Halluin.

  Complete set of seven parts.

  There are, curiously, two contrabass parts, both of which are missing the original engraved pages 3-6. These pages are supplied in modern manuscript.

  MUS-07340 $375Inquire
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  Kreutzer, Rodolphe (1766-1831) 40 Etudes ou Caprices pour le Violon. Liv. I. Tobie Haslinger: Vienne, [1807]. Early edition. Engraved. Quarto. 23 pp. Disbound (title page and last page detached). First eleven pages with copious fingerings in colored pen; remaining pages with some foxing and spotting, but otherwise clean. Title page with signature of former owner and a little bleedthrough from manuscript markings on verso. Pieces of tape at spine of pp. 2-3.
  MUS-06494 $70Inquire
• Kreutzer, Rodolphe (1766-1831) Sonate für Pianoforte und Violine...Op. 87 Carl Paez: Berlin, early 19th-cent. Pl.n: 1015. Oblong Folio. 15 + 3 pp. Cover and pages of piano part detached, cover edges tattered, some tears in margins of violin part, otherwise good.
  Piano part and separate violin part.
  MUS-06381 $200Inquire
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  Küffner, Joseph (1776-1856) Cinq Polonoises Pour Pianoforte B. Schott fils: Mayence, [1826]. Pl.n: 1940. Engraved. Oblong quarto. 13 pp. Disbound. Paper tape at spine. Dealer stamp on title page. Some foxing and spotting throughout throughout, but overall in good condition.

  Published in 1826, as per WorldCat.
  MUS-14920 $125Inquire
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  Kuhlau, Frederich (1786-1832) Trois Sonatines à l'Usage des Amateurs pour le Pianoforte. Op. 20, No. 3 L. Plattner: Rotterdam, [1824]. Pl.n: 728. Early edition. Engraved. Quarto. 11 pp. Disbound. A clean and crisp copy. Minor tape repair to title page (not affecting).

  The third sonata of Kuhlau's Op. 20 set. Beautifully printed.
  MUS-07053 $50Inquire
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  Labitzky, Joseph (1802-1881) Group of three waltzes for piano. Quarto. All in very good condition.

  Carlsbad Walzer für das Pianoforte. Leipzig: Friedrich Hofmeister. 11 pp. Pl.n. 3045. Engraved. Disbound and with dealer stamp on title page (not affecting).

  Jasmin-Walzer. Prague: Joh. Hoffmann. 10 pp. Pl.n. 380. Engraved. Disbound and with dealer stamp on title page (not affecting).

  Ole Bull's Waltzes, As Performed at the American Institute, with Enthusiastic Applause, by Ole Bull. [Arranged for solo piano.] New York: Samuel C. Jollie. 2 pp (detached).
  MUS-07056 $35More Images/Inquire
• Lablache, Louis A Complete Method of Singing. With Illustrative Examples, Exercises & Progressive Studies in Vocalization. Chappell: London, [c 1840]. Pl.n: 6719. Engraved. Large quarto. 86 pp. Half-calf with brown buckram boards. Red leather title placard with gilt tooling on front. A little shelf worn but internally in good condition. A few pencil markings throughout. Some ink transfer. Small tape repairs to bottom margins of pp. 35, 39. A nice copy. MTH-04870 $40Inquire
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  Lalo, Édouard (1823-1892) Concerto en Ré pour Violoncello avec accompagnement d'Orchestre. Arrangement pour Violoncelle et Piano. Ed. Bote & G. Bock: Berlin, [c 1878]. Pl.n: 11623. Likely first edition. Quarto. 13 pp. [cello part] + 35 pp. [piano part]. Original wrappers. In very good condition. Top and bottom of spine starting to separate; performance markings in pencil to cello part.

  Publication date as per WorldCat.
  MUS-07058 $80Inquire
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  Lalo, Édouard (1823-1892) Guitare. Pour Violion et Piano. Op. 28 J. Hammelle: Paris, [n/d]. Pl.n: J. 1673 H. (A reprint of the J. Maho edition, pl.n. 406.). Large quarto. 3 pp. [vln part] + 7 pp. [pno part]. Original beige paper wrappers. Dealer stamps on front wrapper and title page. Toned with a little edge wear, but a nice, usable copy.
  MUS-06383 $25Inquire
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  Lalo, Édouard (1823-1892) Romance pour Violon avec Acccompagnement de Piano. Extraite du Concerto, Op. 20. A. Durand & Fils: Paris, n/d. Pl.n: D.S. 4092. Large quarto. 1 p. [vln part] + 5 pp. [pno part]. Original paper wrappers. In very good condition (wrappers a little dusty and separated at spine).

  Sold together with:
  Lalo, Edouard. Guitare. Pour Violion et Piano. Op. 28. Paris: J. Hamelle (Masion J. Maho), n/d. Pl.n. J. 1673 H. (A reprint of the J. Maho edition, pl.n. 406.) Large quarto. 3 pp. [vln part] + 7 pp. [pno part]. Original green front wrapper (back not present). Dealer and institutional stamps on front wrapper and title page. Some chips at margins and a little transfer throughout. Otherwise fine.
  MUS-06432 $75More Images/Inquire
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  Lanza, Gesualdo (1779-1859) Lanza's Abridgement of his Work on the Art of Singing…from the larger Work, entitled The Elements of Singing. G. E. Blake: Philadelphia, c 1825. Engraved. Quarto. 42 pp. Full-page portrait of an unidentified female singer after title page (see images). Disbound. A good copy. Some foxing, mostly confined to margins. Front page detaching with two penciled signatures of former owners at top.

  An abridged version of Lanza's well-regarded Elements of Singing, which had been first published in London in 1817. This shortened copy includes a mix of instructions (on breathing, solfege, trilling, grace notes, scales, etc.) and exercises for one and two voices.

  Gesualdo Lanza was an Italian pedagogue and composer who spent much of his career in England. He kept a teaching studio on Newman Street and counted Covent Garden favorites Catherine Stephens and Anna Maria Tree among his pupils. The Elements of Singing was the most successful of his four treatises.
  MTH-16288 $175More Images/Inquire
• Latour, Jean Théodore (1766-1837) A much admired Duett For Two Performers on One Piano Forte, In which is introduced the favorite Air of Dolce Concento, with Variations Composed by T. Latour E. Riley: New York, [1823-24]. Folio. 11 pp. Disbound. Faint water stain in upper right of all pages, tear in bottom margin of page 4, otherwise very good.
  "O dolce concento" is the tune from Mozart's "Das klinget so herrlich" from the Magic Flute. The tune also circulated widely with the text "Away with melancholy."
  MUS-10210 $85Inquire
• Latour, Jean Théodore (1766-1837) Two Duets for Two Performers on Piano Forte: "O dolce concento" with variations, "Air Tirolien" with variations Folio. Disbound. Fine.
  Contents:

  • A Duett, For two Performers on the Piano Forte, in which is introduced the admired Air of "O dolce concento" with Variations Composed by T. Latour, Pianiste to His Royal Highness the Prince Regent. R. Birchall: London, [1789-1819]. Plate no. "Latour's Duet". Folio. 11 pp. Engraved. Disbound. A few bottom corners turned down, soiling in lower right from use, otherwise very good.
    "O dolce concento" is the tune from Mozart's "Das klinget so herrlich" from the Magic Flute. The tune also circulated widely with the text "Away with melancholy."
  • Duo pour le Piano Forte à 4 mains composé par T. Latour...No. 6. sur l'air tirolien et hongrois. Simrock: Bonn, [c.1822]. Plate no. 1875. Folio. 18 pp. Engraved. Disbound. Small ink spots and minor soiling on title page, which is detached, otherwise very good.
  MUS-10424 $125Inquire
• 
  Law, Andrew (1740-1821) The Art of Singing; I. The Musical Primer. Fourth Edition with Additions and Improvements. W. Hilliard: Cambridge, Massachusetts, 1803. Oblong octavo. 96 pp. Contemporary blue paper boards with leather spine. In good condition overall. Internally quite clean. Boards worn; back board beginning to detach. Some transfer typical of age and last page a bit rumpled. Three library bookplates on inside front cover.

  A bound copy of Part I of Law's first shaped-note tunebook adapted from his own The Art of Singing (first published in three parts using regular notation in 1793). The music is presented in Law's own system of shape-note notation, which he hopes will open, at once, an improved pathway to the practice of music. This volume, though called the fourth edition on its title page, is indeed a third edition, Law having wanted the printing to seem more "up-to-date" for potential buyers.

  Despite multiple printings that included, as this edition does, additions and improvements, Law's shape-note notation never quite caught on, as proponents of the approach already favored the earlier shape-note scheme devised by William Little and William Smith.

  Andrew Law was among the foremost American musicians of his day, traveling throughout New England as a singing teacher and minister. He founded schools of music and singing in Philadelphia, Boston, New York, and Charleston, and earned much success with his pedagogical publications and tunebook compilations. His first edited collection of sacred tunes was the first of its time to feature American and English music in equal proportion.
  MUS-15311 $1,200More Images/Inquire
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  Law, Andrew (1740-1821) The Musical Primer; containing the Rules of Psalmody, newly revised and improved: together, with a number of practical Lessons and Plain Tunes, designed expressly for the use of Learners. William Law: Connecticut, 1793. first edition. Oblong octavo. 32 pp. Sewn with two sets of wraps: original blue paper wraps beneath newer marbled paper wraps. A nice copy; clean and in very good condition (minor spotting and bleedthrough; back wrappers worn and stained).

  An important early American method.

  This attractive and scarce copy of The Musical Primer is a first edition. It was later repurposed as the second part of the compilation of pedagogical writings that Law published under the title The Art of Singing a year later in 1794.

  As the Advertisement on the verso of the title page states, Andrew Law intended this little method for beginners: A book, that might be obtained with little expence, and be suitable for learners at their first setting out, has been frequently called for. Such an one [sic] is the following. The rules, comprised in it, are explained with the utmost conciseness and simplicity. If the learner, upon purusing them and practicing upon the additional lessons, and tune, finds that he is like to succeed as a singer, he may safely venture to purchase other music; if not, he may relinquish his book and his undertaking together, without much loss of time or money.

  Law begins with brief introductions to diction, clefs, modes, meter, and dynamics. He then presents the keys and scales and dedicates a number of pages to reading music, focusing mostly on rhythm and meter. The method concludes with nine pages of psalm tunes set for four voices. (Psalm tunes were melodies, popular in Anglican and early American worship, used for the singing of psalm texts that had been recast in the poetic meters.) Among those tunes that Law includes are the famous Windsor melody and one entitled Litchfield -- which, in taking the spelling of the American town rather than that of the English (Lichfield), likely originated in Law's home state of Connecticut.

  Andrew Law was among the foremost American musicians of his day, traveling throughout New England as a singing teacher and minister. He founded schools of music and singing in Philadelphia, Boston, New York, and Charleston, and earned much success with his pedagogical publications and tunebook compilations, which were printed, as this one was, by his brother William. His first edited collection of sacred tunes was the first of its time to feature American and English music in equal measure.

  MTH-14984 $1,350More Images/Inquire
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  Lefébure-Wély, Louis-James-Alfred (1817-1869) Titania. Fantasie de Concerto pour Piano. G. Schirmer: New York, [1890]. Pl.n: 822. Engraved. Quarto. 11 pp. Minor spotting and outer pages beginning to detached. A crisp copy in very good condition otherwise.

  Published in or about 1890, as per WorldCat.
  MUS-14939 $20Inquire
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  Levenson, Boris (1884-1947) Five Inscribed Scores and One Manuscript Page for Violin and Piano The group in very good condition on the whole. (Title page of Nocturne in D detached and chipped at right edge, not affecting; tear to title page of Danse Orientale only just affecting inscription; title page of Canzona with water stain, not affecting).

  A group of five scores for violin and piano by the Russian-American composer Boris Levenson, all of which were inscribed by him in the 1920s and 1930s to the longtime concertmaster of the New York Philharmonic, Mishel Piastro: Elégie Russe, op. 72; Dreams, op. 67; Danse Orientale, op. 66; Nocturne in D, op. 46 (also with alternative solo cello part); and Canzona. All early-twentieth century publications by G. Schirmer (excepting op. 72, which was published by Carl Fischer).

  The scores are sold with a one-page manuscript in Levenson's hand entitled Hebrew Dance and inscribed to Piastro. With Piastro's fingerings and markings in red and gray pencil. (Right margin chipped and a little torn, but all music remains legible.)

  Boris Levenson was a Russian-born American composer who studied with Rimsky-Korsakov. Much of his music incorporated Jewish folk song elements, as exampled by the manuscript page included in this group.
  SSC-10583 $200More Images/Inquire
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  Lichtenstein, Henriette Victoire Hotho (1795-1866) Volkslieder mit Begleitung des Pianoforte. I. Sammlung. 54s Werk. Bureau de Musique von C. F. Peters: Leipzig, n/d. Pl.n: 1442. Early and possibly only edition. Oblong quarto. Disbound. Separated at spine between pp. 8-9. The whole a bit dusty, but in good condition.

  Henriette Victoire seems to have been the wife of Hinrich Lichtenstein, the noted German physician, explorer, and scientist. The couple were close friends of Carl Maria von Weber's at Berlin. This edition of six songs is listed on the title page as her fifty-fourth opus, but it is difficult to find any record of her other work.
  MUS-15232 $25Inquire
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  Lindner, Friedrich Fest-Tänze. (2 Polonoisen, 1 Cotillon u. 3 Walzer). Zum Geburtsfeste des Durchlauchtigsten Erbprinzen Friedrich zu Anhalt. C. G. Ackermann: Dessau, n/d. Lithographed. Oblong quarto. 9 pp. Disbound. Some light spotting throughout. Margins cropped quite close, in places removing clefs and key signatures.

  Friedrich I, Duke of Anhalt, was a German prince who ruled the Duchy of Anhalt from 1871 to 1904. As per the title page of these dances, Friedrich Lindner was a concertmaster in the Duke's employ.
  MUS-14953 $25Inquire
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  Liszt, Franz (1811-1886) Album: Two Volumes with 29 Piano Pieces, early and first editions Large quarto. 3/4 red leather with black leather boards and raised spines with gilt decorations. Covers show a little wear, inside uniformly very good and crisp.

  A wonderful collection of Liszt piano music which includes early editions of 15 Hungarian Rhapsodies and First Editions of all 9 of the Soirées de Vienne.

  Contents:

  Vol. I:

  Rhapsodie hongroise pour le piano, No I. Senff: Leipzig, [1850], PN 23. 19 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No. 2. Senff: Leipzig, [1850], PN 26. 19 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No. 3. Charles Haslinger: Vienna, [1853], PN 11,555. 7 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No 4. Charles Haslinger: Vienna, [1853], PN 11,556. 11 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No 5. Charles Haslinger: Vienna, [1853], PN 11,557. 11 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No 6. Charles Haslinger: Vienna, [1853], PN 11,558. 13 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No 7. Charles Haslinger: Vienna, [1853], PN 11,559. 13 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No 8. Charles Haslinger: Vienna, [1853], PN 12486. 13 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No 9. Charles Haslinger: Vienna, [1853], PN 12487. 27 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No.10. Charles Haslinger: Vienna, [1853], PN 12488. 15 pp.

  Rhapsodie hongroise pour le piano, No. 11. Schlesinger: Berlin, [1854], PN 4088. S244/R106.

  Rhapsodie hongroise pour le piano, No. 12. Schlesinger: Berlin, [1854], PN S.4089. 17 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No. 13. Schlesinger: Berlin, [1854], PN 4090. 15 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No. 14. Schlesinger: Berlin, [1854], PN S.4091. 21 pp. S244/R106.

  Rhapsodie hongroise pour le piano, No. 15. Schlesinger: Berlin, [1854], PN S.4092. 15 pp. S244/R106.

  Vol. II:

  Liszt/Rossini. Ouverture de l'Opéra Guillaume Tell de G. Rossini, transcrite pour le Piano par François Liszt. Schott: Mainz, [1841], PN 6489. 25 pp. S552/R237.

  Valse de l'Opéra Faust de Gounod pour le piano pas Franz Liszt. Bote & Bock: Berlin, [after 1862], PN 5529. 23 pp. S407/R166

  Berceuse für das Pianoforte. Gustav Heinze: Leipzig, [1865], PN "G.103H". First Edition. 13 pp.

  Löse, Himmel, meine Seele!, Lied von E. Lassen (gedichtet von Peter Cornelius). Gustav Heinze: Leipzig, [1866], PN G.103H. First Edition. 8 pp. S494/R173.

  Ouvertures de Ch. M. de Weber en Partition de Piano par F. Liszt; Carl Maria von Weber's Ouverturen Freischütz, Oberon, Jubel-Ouverture, Clavier Paritur von F. Liszt. Schlesinger: Berlin, [1847], PN S3299. First Edition. 18 pp. S575-577/R289-291.

  Erlkönig, Lied von Fr. Schubert für das Piano-forte übertragen von Fr. Liszt. Diabelli: Vienna, [1838], PN C.S.6534. 7 pp. S558/R243.

  Soirées de Vienne, Valses-caprices d'après F. Schubert…par F. Liszt, en neuf livraisons. C.A. Spina: Vienna, [1853], PN C.S.9300-9308. First Edition. 7+11+15+11+11+9+9+15+11 pp. S427/R252.

  MUS-11086 $2,500Inquire
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  Liszt, Franz (1811-1886) Aufenthalt. Lied aus Fr. Schubert's Schwanengesang, für das Piano-Forte übertragen von F. Liszt Tobias Haslinger: Vienna, 1840. Pl.n: "T.H. 7753". first edition. Engraved. Small Quarto. 15 pp. Modern decorative paper wraps. Overall a very good copy except for some print transfer and pages turned from thumbing on lower corner.

  Raabe p. 282
  MUS-11101 $110Inquire
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  Liszt, Franz (1811-1886) Carl Maria von Weber's Ouverturen. Jubel-Ouverture Clavier-Partitur von F. Liszt Schlesinger: Berlin, 1847. Pl.n: "S.3299". first edition. Folio. 18 pp. Engraved. Excellent condition.

  Raabe p. 287
  MUS-11100 $125Inquire
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  Liszt, Franz (1811-1886) Concerto, Erstes Concert für Pianoforte und Orchester, Pianoforte mit Orchester Partitur Carl Haslinger quondam Tobias: Vienna, ca 1862. Pl.n: 11,933. first edition, second issue. Folio. 82 pp. Nicely bound in modern red linen boards with gold title on spine. Engraved. Scattered foxing throughout, a few pencilled markings, otherwise in excellent condition.

  Raabe p. 311
  MUS-05858 $600Inquire
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  Liszt, Franz (1811-1886) Der Lindenbaum. Lied aus Fr. Schubert's Winterreise. Für das Piano-Forte übertragen von F. Liszt. Engraved Tobias Haslinger: Vienna, 1840. Pl.n: "T.H. 7771". first edition. Engraved. Small Quarto. 13 pp. Modern decorative paper wraps. Lower corners thumbed, otherwise very nice.

  Raabe p. 283
  MUS-11103 $125Inquire
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  Liszt, Franz (1811-1886) Der Wanderer. Lied von Fr. Schubert. Für das Pianoforte übertragen von Fr. Liszt. Diabelli: Vienna, 1838. Pl.n: "D. et C. 6541". first edition. Quarto. 11 pp. Engraved. Covers mostly detached, otherwise an excellent copy.

  Raabe p. 282

  One of a few transcriptions that Liszt made of this, one of the most famous Lieder of Franz Schubert.

  MUS-11096 $150Inquire
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  Liszt, Franz (1811-1886) Die Nebensonnen. Lied aus Fr. Schubert's Winterreise. Für das Piano-Forte übertagen von F. Liszt. Tobias Haslinger: Vienna, 1840. Pl.n: "T.H. 7766". first edition. Engraved. Small Quarto. 11 pp. Modern decorative paper wraps. Clean and crisp.

  Raabe p. 283
  MUS-11102 $125Inquire
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  Liszt, Franz (1811-1886) Episode de la vie d'un Artiste. Hector Berlioz. March au Supplice A.O. Witzendorf: Vienna, 1846. Pl.n: "T. et V. 2824". Early Edition, from first edition plates. Folio. 7 pp. Engraved. Soiled, foxed, and with a few water stains at inner margins.

  Raabe p. 271
  MUS-11110 $75Inquire
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  Liszt, Franz (1811-1886) Etudes: 24 Grandes pour le Piano, II Livraison Tobias Haslinger: Vienna, 1839. Pl.n: "T.H.7746.8-12". first edition. Folio. p. 63-137. Engraved. Pages mostly detached but with no marks from former sewing. Green paper boards with portion of original cover pasted down. A particularly fine copy with deep impression.

  S137/R2a.

  Only 12 of the promised 24 etudes were published.

  Evidently from the collection of the arranger Friedrich Spigl with his stamp and signature on title page.

  A fine copy with beautifully and decoratively printed music with large margins on every page. Raabe p. 242

  MUS-05844 $750Inquire
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  Liszt, Franz (1811-1886) Grand Calop chromatique pour le Pianoforte Hofmeister: Leipzig, ca 1840. Pl.n: 2276. Early Edition. Folio. 11 pp. Cover very slightly soiled, but interior fine and overall an excellent copy.

  Raabe p. 253
  MUS-11107 $75Inquire
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  Liszt, Franz (1811-1886) and Franz SCHUBERT Gute Nacht. Lied aus Fr. Schubert's Winterreise für das Piano-forte übertragen von F. Liszt Tobias Haslinger: Vienna, [1840]. Pl.n: "T.H.7765". first edition. S561:1/R246. Engraved. Octavo. 11 pp. Modern decorative paper wraps. Clean and crisp.

  Raabe p. 283
  MUS-05862 $125Inquire
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  Liszt, Franz (1811-1886) Harmonies poetiques et relgieuses pour le Piano, Liv. I, no. 1: Invocation, no. 2: Ave Maria Fr. Kistner: Leipzig, c 1853. Pl.n: 1885. first edition. S173/R14. Large quarto. 17 pp. A few rust marks but overall very nice. Retains original blue outer cover.
  MUS-05863 $300Inquire
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  Liszt, Franz (1811-1886) Hungarian Rhapsody for Piano Solo Editio Musica: Budapest, 1985. Folio. 27 facsimile pp.; 11 commentary pp. in English, German and Hungarian by M. P. Eckhardt. Tiny blemish on top edge of front cover, and two on edge of back cover, but otherwise a beautiful copy.

  A handsome facsimile in a deluxe binding in burgundy velvet with a bas-relief medallion portrait of Liszt set in bronze. Limited Edition No. 631. Issued on the 175th anniversary of Liszt's birth and the centenary of his death.
  FAC-09891 $385Inquire
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  Liszt, Franz (1811-1886) Le Moine de Giacomo Meyerbeer transcrit pour le Piano par Fr. Liszt Schlesinger: Berlin, 1842. Pl.n: "S. 2660". first edition. Quarto. 21 pp. Engraved. Covers a little soiled, otherwise a very good copy.

  Raabe p. 280
  MUS-11095 $350Inquire
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  Liszt, Franz (1811-1886) Liebesbotschaft. Lied aus Fr. Schubert's Schwanengesang für das Piano-forte übertragen von F. Liszt Tobias Haslinger: Vienna, 1840. Pl.n: "T.H. 7760". first edition. S560:10/R245. Engraved. Octavo. 11 pp. Modern decorative paper wraps. Overall very good and crisp.

  Raabe p. 282
  MUS-05866 $125Inquire
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  Liszt, Franz (1811-1886) Mazurka brilliante pour le Piano par F. Liszt. For Piano Four Hands Senff: Leipzig, ca 1873. Pl.n: "10.1182-3". Early Edition. Folio. 15 pp. Cover detached, corners thumbed, a few tiny chips on center right margin, but overall excellent copy.
  MUS-11134 $75Inquire
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  Liszt, Franz (1811-1886) Paraphrases de Concert pour Piano, No. 1 Verdi/Trovatore J. Schuberth & Co.: Leipzig, 1860. Pl.n: 2573. first edition. Folio. 18 pp. Cover very slightly soiled, two interior pages browned and chipped on far upper right, otherwise an excellent copy.

  Raabe p. 285
  MUS-11087 $375Inquire
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  Liszt, Franz (1811-1886) Paraphrases de Concert pour Piano, No. 2. Verdi/ Ernani J. Schuberth & Co.: Leipzig, 1860. Pl.n: 2574. first edition. Folio. 14 pp. A fine copy except for very minor spotting on cover and a minor water stain along bottom of all pages.

  Raabe p. 285
  MUS-11088 $375Inquire
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  Liszt, Franz (1811-1886) Piano Concerto No. 2, "Zweites Concert (A-dur. La-maj.) von F. Liszt. Für Pianoforte zu 4 Händen" B. Schott's Söhne: Mainz, 1863. Pl.n: 16617. first edition of this arrangement. Folio. 55 pp. Overall excellent except for slight chipping on right edges of covers which also have been reinforced with linen tape. A few pages are bent along top margin.

  Raabe p. 312

  This copy was formerly owned by the American pianist Ernest Schelling (1876-1939), who has signed the cover in pencil and dated it 1915. Additional notation is on the inside of the front cover, apparently referring to a performance, as well as an additional remark apparently referring to a performance of a Chopin concerto with an orchestra. His stamp appears on the title page.

  Schelling studied with Paderewski and was his only pupil for a period of three years. He was the first conductor of the Young People's Concerts of the New York Philharmonic in 1924 and was active for years in also taking these highly appreciated concerts, and for then a new venture, to other major cities in the United States.

  MUS-11092 $750Inquire
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  Liszt, Franz (1811-1886) Piano Concerto No. 2, "Zweites Concert (A-dur. La-maj.) von F. Liszt. Pianofortestimme" B. Schott's Söhne: Mainz, ca 1900. Pl.n: "16617.Solo". Later Edition. Folio. 37 pp. Cover a little soiled and back cover chipped, but interior is fine. Later pages bent along top margin.

  Raabe p. 293
  MUS-11091 $150Inquire
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  Liszt, Franz (1811-1886) Piano Sonata in B Minor, "Klaviersonate h-moll" Henle: Munich, 1973. Tall folio. 30 facsimile pp. + 4-page afterward by Claudio Arrau in English & German. Original publisher's boards. As new.
  FAC-10344 $175Inquire
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  Liszt, Franz (1811-1886) Polonaise pour le Piano par Fr. Liszt. No. 1 Senff: Leipzig, 1852. Pl.n: 42. first edition. Folio. 19 pp. A pristine copy with a modern paper cover and label.

  Raabe p. 253
  MUS-11094 $750Inquire
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  Liszt, Franz (1811-1886) Reminiscences des Puritains. Grande Fantasie pour le Piano B. Schott: Mayence, 1837. Pl.n: 4723. first edition. S390/R129. Folio. 27 pp. A few measures show simpler alternates. Overall excellent condition except for even browning throughout and very slight spotting on bottom of front cover. Some print transfer. Overall attractive appearance. Reinforcement tape along spine.
  MUS-05870 $500Inquire
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  Liszt, Franz (1811-1886) Rhapsodie hongroise pour le Piano par F. Liszt. II Senff: Leipzig, 1868. Pl.n: 26. Early Edition. Folio. 19 pp. In fine condition except for minimal spotting, with decorative borders around music.

  Raabe p. 262
  MUS-11106 $350Inquire
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  Liszt, Franz (1811-1886) Rhapsodies Hongroises pour le Piano par F. Liszt. No. 15 Rakoczy March Schlesinger: Berlin, 1853. Pl.n: "S. 4092". first edition. Folio. 15 pp. Covers detached, front cover a little soiled with some pencil markings. Interior is excellent with decorative borders around the music, some pages a little ragged on extreme edges.

  Raabe p. 265
  MUS-11111 $650Inquire
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  Liszt, Franz (1811-1886) Rhapsodies hongroises. II Edward Schuberth & Co.: New York, ca 1875. Pl.n: 919. Early Edition. Folio. 21 pp. Covers detached and chipped on all edges, otherwise a fine copy with lovely decorative borders around the music.

  Raabe p. 262
  MUS-11105 $350Inquire
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  Liszt, Franz (1811-1886) and Carl Maria von WEBER Schlummerlied: C.M.von Weber's Schlummerlied mit Araresken für das Pianoforte übertragen und gewidmet von F. Liszt Fr. Kistner: Leipzig, 1849. Pl.n: 1639. first edition. Folio. 11 pp. Engraved. Unsewn, excellent condition.

  Raabe p. 287
  MUS-05850 $100Inquire
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  Liszt, Franz (1811-1886) Soirées de Vienne. Valses-Caprices d'après F. Schubert, Liv. 6 C.A. Spina: Vienna, 1852/3. Pl.n: "C.S. 9305". first edition. Folio. 9 pp. Disbound, covers frayed on edges. Pictorial cover. Overall attractive copy.

  Raabe p. 283-4

  Formerly the copy of the noted American pianist Eugene List, who has signed his name in full on the cover. List is best remembered now for having performed at the Potsdam Conference in Yalta for Truman, Churchill and Stalin. He gave the American premiere of the Shostakovich Piano Concerto No. 1 and was a noted Gottschalk performer.

  MUS-05871 $375Inquire